Reading comfort

  • Text size

    Text

  • Line spacing

  • Adapted font dyslexia

From the Stage to the Canvas: Artists and Socialites of the Belle Époque

  • From to

The Nice Museum of Fine Arts is celebrating the splendor of the Belle Époque (1871–1914) with its new exhibition, a period that forms one of the cornerstones of its collections.

> Discover a selection of commented works from the collection

Donations from artists, collectors, and socialites offer a glimpse—albeit limited and subjective—into this romanticized era and the cosmopolitan spirit of Nice. Featuring carnival scenes as well as portraits of famous composers and foreign princesses, the exhibition shines a spotlight in particular on talented opera and dramatic artists who, through the global recognition they achieved, exercised unprecedented independence and authority.

The question of representation thus extends from the stage to the art of portraiture, from performance to self-projection, and also reveals the importance of fashion, which reached its peak in the second half of the 19th century with the development of ready-to-wear clothing and the emergence of haute couture. By immortalizing their subjects in theatrical costumes, disguises, festive attire, ceremonial garments, or the very latest in modern fashion, portraitists offer them, on the canvas, the setting for a final and eternal performance.

  • Monday : closed
  • Tuesday : 10:00 at 18:00
  • Wednesday : 10:00 at 18:00
  • Thursday : 10:00 at 18:00
  • Friday : 10:00 at 18:00
  • Saturday : 10:00 at 18:00
  • Sunday : 10:00 at 18:00
General Admission€10
Group Ticket
groups of 10 or more people
€8
4-day pass for 10 Museums€15
Under 18s, students,
unemployed individuals, etc.
Free
Curating

Jeanne Pillon-Megale, Main conservation Assistant, in charge of the exhibitions
With the invaluable support of Louise Guillot, Deputy Director, Heritage Curator

Presse
Press kit
Press contact
Jean-Joseph Benjamin-Constant, Portrait d’Emma Calvé,1898, huile sur toile, 220 x 120 cm, N.Mba 2632, don de M. Keane en 1939 © Michel Graniou